The film starts with a black screen which fades into a wide shot of a family house. The audience can hear the climax of an argument and, whilst focusing on the house, a teenage boy storms out, looking very unhappy and distressed. The camera follows his journey down the street and into the park using wide shots and close ups. Liam walks through the park and over to a bench where he lights up a cigarette, he looks very upset and angry. This is quickly cut to a wide shot of Liam walking up towards a block of flats- his mates house hoping to get a place to stay but nobody is in. Fast cuts and close-ups are used here to make the audience start sympathise with him.
Liam is now at another part of this journey, now looking shabbier and more depressed. A wide shot shows Liam walking in a different location, the camera pans with him as he walks through the streets. Again the shot is cut sharply to a wide shot of Liam on a park bench, he begins to roll a spliff. Close-ups of him rolling shows his desperation for his smoke. Liam looks over to a bin, a close up shows him thinking as he walks over in bid to find something to eat.
Liam is now waiting for a bus, a wide shot shows him waiting. He gets off and is now at the final part of his journey. He is still walking the streets like we first saw him but this time looking unhealthy, unclean and sleep deprived. We see him walk equipped with his sleeping bag through a busy London road. He walks over to a corner, his spot, where he sleeps, and the place he now calls home.
In the opening sequence we see a boy who was once living a life of luxury with his family in a terrible state on the streets. The contrast in his behaviour, appearance, and emotions is great. As an audience we are left wanting to know what has happened and eager for the film to begin.